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Articles

Research and notes on ocarinas, their makers, and their history.

Written here

The museum’s own research: instruments in the collection, the people who made them, and what the documents say. Where someone else’s words are quoted, they are quoted with permission and the permission is stated on the page.

Ocarinas in the United States

A short survey of American ocarina makers before the 1998 Zelda game, from Rudolph Teschner in the 1870s to the makers still working today.

2024

Alan Albright and His Ocarinas: Part 4

A second Albright ocarina, and his account of the instruments, of who took over making them, and of the men who sold him his wood.

2023

Interview with Robert Hickman, 2019

The museum’s own interview, conducted over four days in November 2019: how Robert Hickman came to the instrument, how his design arrived, and why he makes ten- and eleven-hole ocarinas.

2019

Alan Albright and His Ocarinas: Part 1

What the Metropolitan Museum of Art records about the wooden ocarinas Alan Albright gave it in 1981, and the curriculum vitae he circulated in 1995.

2019

Alan Albright and His Ocarinas: Part 2

Alan Albright’s own account of how the wood double ocarina came about, written in 1999.

2019

Alan Albright and His Ocarinas: Part 3

An Albright double alto bought on eBay in 2019, and what it showed.

2019

Aketa MT-8Bb and S-5C

Dating two Aketa ocarinas from their pamphlets, their logos, and a compact disc advertised on the back of one of them.

2019

Prima Cornetta M5C with the second oldest “LEHL” stamp

The oldest Prima ocarina in the collection, and what its stamp says about when it was made.

2019
No matching items

Preserved from other sites

Writing by other people, published first on websites that have since gone, and kept here because otherwise it goes with them. Each carries a credit naming its author and linking the original, and each invites its own removal.

Interview – Jade Everett

Jade Everett, interviewed for The Ocarina Repository in August 2013.

2013

Interview – Casper Huang (黄中弦)

Casper Huang, interviewed for The Ocarina Repository in July 2013.

2013

Interview – Giorgio Pacchioni

Giorgio Pacchioni, interviewed for The Ocarina Repository in July 2013.

2013

Interview – Milt

Milt, interviewed for The Ocarina Repository in July 2013.

2013

Interview – Richard Hamlett

Richard Hamlett, interviewed for The Ocarina Repository in July 2013.

2013

Interview – Ross Dubois (Oberon Ocarinas)

Ross Dubois, interviewed for The Ocarina Repository in June 2013.

2013

A History of the Ocarina

The ocarina from the Xun to the English four-hole, written by the makers who originated the latter.

2001

The Taylor/Jennings Connection

Two Seattle ocarina makers write to the man who originated the English four-hole ocarina, April 1998, and work out who taught whom.

1998

The Sounds of Ceramics

Richard Schmidt on why instruments of clay sound as they do, written for a 1987 national survey exhibition of ceramic musical instruments.

1987

A Letter on Voicing and Volume

Alan Albright to Sandi Schmidt, 1983, on window size against interior volume — how he tuned an ocarina, and how he measured one.

1983
No matching items

Where the writing came from

Each of these describes one holding — whose writing it is, how much of it the museum has, how it survived, and on what basis anything from it is published.

  • ClayZeness Ocarinas — Sandi and Richard Schmidt, Seattle.
  • Ocarina Originators — Barry “Baz” Jennings and John Taylor, who originated the English four-hole ocarina.
  • The Ocarina Repository — Cambell Baxter’s interviews with makers.
  • Alan Albright — the odd one out, and worth a sentence. The museum holds his memoir and his letters, but what is published from them sits under Written here, because the museum wrote those four articles from his words with his permission rather than reprinting his pages. The holding is his; the articles are the museum’s.

Everything the museum has copied, published or not, is listed on Preserved Websites.

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